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Reverb is a marketplace bringing together a wide-spanning community to buy, sell, and discuss all things music gear. I've found the Impulse Responses of the Non-Linear presets in the original RMX16 can get you pretty much all the way there for 'that' sound. I use the ones from 'past to the future' IRs (do a google search on that name, it's a gumroad site) in Ableton's convolution reverb. I drop in the 'non linear 1' preset, tweak the EQ slightly, done.

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Devil's tube Spring is based on spring reverb impulses followed by a classic reverb tail. Features: 2 spring reverb model (2 or 3 springs type) Length (Std and HQ Mode equals more or less to original impulse lenght) Reverb control mix dry and wet signal (like on guitar amps). From H-Reverb to Renaissance Reverb, Abbey Road Chambers to Abbey Road Reverb Plates, Waves’ natural-sounding reverb plugins add extraordinary detail, dimension and air to your mixes.

Protoverb is an experimental reverb based on the idea of a 'room simulator'.

This first version of Protoverb is released as a free 'research-ware' plug-in, created to discover more about reverbs.

Most algorithmic reverbs try to avoid resonances or model the reflections of sound from a rooms walls. Protoverb does the opposite. It builds up as many room resonances as possible, modeling the body of air in the room. It therefore does not need to modulate or colour the signal. The result is a very natural sounding reverberation with some interesting features: Long standing frequencies resonate louder, as if the air takes some time to get excited. Multiple instruments don't mash into a diffuse mudd, they stay distinct. If you play a short melody, the room seems to repeat a ghost echo of that melody. Those properties are indeed found in churches and large halls, but they're rarely found in conventional algorithmic reverbs.

Protoverb has limited controls, with most parameters hidden from user control. There are 2 randomise buttons that modify these parameters to encourage user experimentation.

Reverb is one of the most important tools for audio engineers. It’s an audio effect used on every mix you’ll ever hear.

There’s so many reverb plugins out there. Deciding which one to use is a big challenge. And sifting through hundreds of plugins can sap your creativity pretty quick.

But if you know your way around the different types of reverb plugins, you’ll have head start on choosing the right tools to create the perfect ambience to enhance your mix.


Here’s a primer on the different styles of reverb and the 15 best reverb plugins for each reverb type.

Electromechanical reverb

In the early days of audio, engineers discovered they could use transducers to create vibrations in a piece of metal.

These vibrations could be captured with an electromagnetic pickup like the kind used in electric guitars.

This led to the development of two main types of electromechanical reverb—spring reverb and plate reverb:

What is spring reverb?

Spring reverb takes advantage of the unique behaviour of a coiled spring. The transducer is fitted at one end of spring and the pickup is at the other.

Spring reverb has a darker, edgier character that can vary widely from spring to spring. It’s often found in classic guitar amplifiers.

Using spring reverbs will give you a sploshy, metallic reverb with lots of character.

Best spring reverb VST plugins

Free:Hotto Spring Reverb

Hotto Spring Reverb is a free, no-nonsense spring reverb that’s effective and easy to use.

Spring reverb has a darker, edgier character that can vary widely from spring to spring.

Cheap:Aegean Music Spirit Reverb

Aegean Music Spirit Reverb is an affordable and authentic way to get spring reverb onto your tracks. It also includes other tone shaping effects like delay and tube preamp emulation.

Pro:PSP Springbox

Plate Reverb Vst Free

Using spring reverbs will give you a sploshy, metallic reverb with lots of character.

PSP Spring Box has a ton of control to dial in your perfect spring reverb sound. It can go from realistic vintage spring reverb to seriously weird textures.

Where to use it?

Spring reverb is at home on electric guitars, but you can use it anywhere where you need a grittier flavour of reverb.

What is plate reverb?

Plate reverb is the main style of reverb from the golden age of analog recording. It’s created by exciting metal with a transducer just like spring reverb.

However, giant metal plates are required to create high quality plate reverb, so today these devices are expensive and rare.

They’re well loved for a reason though. Plate reverbs create a very recognizable sound that blends well into a mix and doesn’t overpower the dry signal.

Best plate reverb VST plugins

Free:TAL Reverb 2

TAL Reverb 2 deserves to top the list of best free reverb plugins. It’s a fantastic sounding reverb that’s modelled on a plate but can go from natural and realistic to lush ambient textures.

Plate reverbs create a very recognizable sound that blends well into a mix and doesn’t overpower the dry signal.

Cheap:VallhallaDSP ValhallaPlate

ValhallaDSP makes some of the best value-for-money reverb plugins. Sean Costello’s plugins are widely respected in the pro audio community despite their low price tag.

ValhallaPlate is a fantastic, inexpensive way to get into plate reverb.

Pro:UAD EMT 140 Plate

Universal Audio is the top name in vintage emulation and their plugins run on a dedicated hardware platform.

Their loving reproduction of the classic EMT 140 tube plate reverb is a smash hit. It’s incredibly authentic and sounds eerily close to a real plate.

Plate reverb uses

Vocals, snares, or anywhere else you need an even sounding reverb with smooth early reflections and distinctive character.

Algorithmic reverb

Algorithmic reverb uses digital trickery to create reverb. It usually works by using many cascaded digital delay lines to create the illusion of acoustic reflections. The earliest electronic reverb devices were algorithmic, so many of the classic sounds we associate with studio reverb were created this way.

Algorithmic reverbs aren’t always realistic since processing power was so limited in the early days. But they can still create a desirable and characteristic reverb sound that works in tons of mixing situations.

Best algorithmic reverb VST plugins

Free:Smartelectronix Ambience

Smarteletronix Ambience was one of the first quality free reverb plugins on the scene. And it’s still a great option for dreamy, ambient, algorithmic reverb.

Cheap:VallhallaDSP VintageVerb

Valhalla VintageVerb is a versatile algorithmic reverb with vintage style modes to simulate the frequency and sample rate limitations of 70’s and 80’s hardware reverbs.

Algorithmic reverbs aren’t always realistic since processing power was so limited in the early days. But they can still create a desirable and characteristic reverb sound that works in tons of mixing situations.

Pro:UAD Lexicon 224

The UAD Lexicon 224 is a painstakingly accurate replication of the classic vintage hardware. The original Lexicon 224 was one of the first readily available digital reverb units introduced to studios in the late 1970’s. It’s responsible for so many classic reverb sounds from that era.

Algorithmic reverb uses

Algorithmic works best for Synth pads, effects, or anywhere else you need a stylish, enveloping reverb.

Convolution reverb

Convolution reverbs create ambience through a mathematical process called (wait for it) convolution.

These reverb plugins use Impulse Responses to create their effect. Impulse responses are made by measuring the reverberation of a real space with a microphone and a specialized tone called an impulse.

Algorithmic works best for Synth pads, effects, or anywhere else you need a stylish, enveloping reverb.

The impulse response is a sonic profile that the plugin uses to apply its specific reverberation characteristics to your sound.

To put it simply, convolution reverb lets you use the ambience of any real world space inside your DAW.

Hot tip: Convolution can also be used to model things like speaker cabinets for electric guitar.

If you have an all purpose convolution plugin, you can use IRs of speaker cabs to get a convincing sound when you record amps direct.

Best convolution reverb VST plugins

Free:SIR Audio Tools SIR1 (Windows) LAConvolver (Mac)

These free simple convolution tools are capable of loading great sounding impulse responses. That’s the beauty of convolution! They may not be the most full featured plugins out there, but they can totally get the job done.

Cheap:Liquid Sonics Reverberate Core

Liquid Sonics Reverberate Core is an effective, inexpensive convolution reverb solution. It has the ability to load and tweak parameters of any impulse response.

Pro:Audio Ease Altiverb

Audio Ease Altiverb is the gold standard for studio convolution reverb. Its powerful convolution engine and IR collection are capable of creating extremely realistic and compelling acoustic spaces.

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Convolution reverb uses

Close mic’d instruments or wherever you need natural, realistic sounding spaces. Convolution reverb is a great choice for acoustic instruments like strings and piano.

Non-linear reverb

There’s a few classic reverb sounds you might know that I haven’t covered yet.

I’m talking about special effects like gated and reverse reverb. These sounds are all examples of “non-linear” reverb.

Electromechanical, algorithmic and convolution reverbs all attempt to model real spaces—with varying degrees of success. Even though some examples are quirky and not at all realistic, they still have a “linear” decay.

Convolution reverb is a great choice for acoustic instruments like strings and piano.

That means the reverb rings out with the normal, uniform decrease in energy that would happen a real acoustic space.

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Non-Linear reverbs throw that idea out the window. They’re the classic reverb “effects” from the 80s like gated and reverse reverb.

Best Non-linear Reverb VST Plugins

Free:Longsound MicroVerb VST

Longsound MicroVerb VST is an emulation of the Alesis Microverb hardware unit. This entry-level hardware reverb is known for its three non-linear presets, which sound pretty weird in all the right ways.

Cheap:ValhallaDSP VintageVerb

We’ll have to give this one to Valhalla VintageVerb again for its fantastic nonlinear algorithms.

Pro:UAD AMS RMX16

The hardware AMS RMX16 is another early digital reverb that has been painstakingly modelled by Universal Audio. It’s nonlinear presets are responsible for many of the gated reverb sounds on recordings from the 1980’s.

If other verbs are sounding just too…normal, try a non-linear style for a change of pace.

Non-linear reverb uses

Use non-linear reverb to create psychedelic special effects. If other verbs are sounding just too…normal, try a non-linear style for a change of pace.

Early reflections

You need a sense of space in your recordings for them to sound natural and inviting.

That’s why reverb is an essential element of every mix. And to use it properly, you have to know your tools.

So to recap:

The best reverb plugins are…

Spring Reverb Vst Free

Whether you’re adding a realistic ambience to an acoustic guitar, creating a cavernous space for a synth pad or just trying to nail that classic 80’s gated snare, knowing which reverb to reach for is key.

Plate, spring, convolution, algorithmic and non-linear reverbs all have helpful applications in your music.

Spring Reverb Vst Plugins

Try any of the plugins from this list see how the how the different types work for you.

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Have you ever heard of the concept “feng shui?” It’s a practice that originated in ancient China that claims to enable humans to live more harmoniously with their environment. The idea is that we are connected to the different spaces in our homes, and if we make adjustments to these spaces by arranging them in ways that promote positivity, we will live happier (and healthier) lives. Strange way to open an article about reverb plugins, right? Not really. Reverb is space. If we don’t curate that space and caringly place our tracks within it, it can negatively affect our mix in a variety of ways. I’ll admit, I have a love/hate relationship with reverb. This might just be me, but sometimes I feel like I really have to put in significant work to make a reverb sit perfectly in a mix, far more work than it takes for me to feel satisfied with other types of processing like compression, saturation and even delay.

Worth considering is reverb plugins are essentially recreating many, many copies of whatever is fed into them, so if you’re sending in something that is deficient, you’re only multiplying the deficiency. So in that sense, while you can “hide” things using reverb, you can’t fix things with it. Once you understand this, and use reverb not as a band-aid but as a tool to create separation between elements (and to add character and tone to tracks), you’ll find that the elements of your mix will live more harmoniously with one another.

Here are my top 7 reverb plugins to use when mixing …

1. UAD EMT 140 Classic Plate Reverberator

The original hardware plate reverb from German company Elektromesstecknik was released in 1957 and revolutionized how reverb was used in the recording industry. The original 600 lb. EMT 140 Plate consisted of a thin piece of sheet metal suspended by springs and attached to a metal frame. A transducer attached to the center of the metal plate would vibrate the plate when it was fed signal, and one or two pickups mounted to the plate would return the vibration of the plate. The design evolved over time, but the legendary sound of the EMT 140 was preserved in the form of thousands of records on which it was used. When I found out that Universal Audio captured the dense, natural, versatile beauty of the EMT 140 and created a plugin that weighed significantly less than 600 lbs., I was sold.

I use this plugin all over the place when mixing. I’ll use it on vocals, guitars, pianos, strings, horns, even drums. Occasionally, I’ll create an auxiliary track, insert an instance of the 140 and send several elements to it, which creates a lush sense of cohesion. Some mixes require a more subtle application of reverb, and the 140 works well with shorter reverberation times in the .5 to 1.5 second range. Other mixes call for reverb to be more prominently featured and the 140 shines here too, as the longer reverb times combined with the modulation (MOD) feature create a beautiful, detailed reverb tail which is perfect for ethereal, dramatic lead vocals.

Mix Tip

Sometimes a dense, washed out sound is in order, and I quite enjoy combining reverbs. Obviously, in this context I am not going for a natural reverb sound. The EMT 140 works great when combined with another reverb, in particular because it offers you so much control. You’ve got the multiple types of plates included in the plugin, reverberation time, an input filter for taming low end, stereo width, an onboard equalizer, modulation and pre-delay. Because of this, the EMT is incredibly flexible and not only works well on its own but plays well with others.

2. FabFilter Pro-R

As you’d expect from FabFilter, Pro-R is loaded with leading-edge features, a sleek user interface and impeccable sound quality. It can sound natural, other-worldly and everywhere in between. The space knob allows you choose from over a dozen room models which offer decay times ranging between 200 milliseconds and 10 seconds. The brightness, character, distance, decay rate and stereo width allow for additional control over the sound of the space in which you place your signal. Pro-R goes even deeper by incorporating a decay rate EQ and a 6 band post EQ. In physical spaces, high frequencies usually decay quickly while bass frequencies linger. The decay rate EQ allows you to fine tune the decay rate across the frequency spectrum, which is great for subtle fine tuning of reverb tails or creating wild, unnatural sounding reverbs. Lastly, the post EQ enables you to sculpt the overall tonality of your reverb.

Mix Tip

Get weird with this one. Experiment with unorthodox decay rate EQ curves, different character and brightness settings and tweak (or even automate) the post EQ for reverb tails that sound unique and unlike anything you’d find in actual physical spaces.

3. Valhalla VintageVerb

Described as a “postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s,” VintageVerb covers a lot of sonic ground. The minimalist GUI, which is a trademark of all products from ValhallaDSP, is a treat on the eyes. VintageVerb comes with 18 different reverb algorithms that include chambers, rooms, plates and more. It offers a lot of control over the different elements of your reverb, but because the user interface is so intuitively designed and clearly laid out, it never feels overwhelming or crowded.

If you’re interested in a free foray into the wonderful plugins from Valhalla, check out Supermassive.

Mix Tip

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Play VintageVerb like an instrument by mapping parameters to a MIDI controller. I’m all about adding performative elements to mixes in unexpected ways. Think of the additional level of musicality, depth and feeling that can be added by performing simple fader rides, and then consider that you can do the same by automating plugin parameters. VintageVerb has so many controls that lend themselves to be used in this manner. Map the parameters to your controller of choice in your DAW and have fun!

4. Soundtoys Little Plate

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This is another emulation of the classic EMT 140, but Soundtoys took a minimalist approach here by putting only four controls total on the user interface of Little Plate: modulation, mix, low cut and a big ol’ decay knob. That’s a strength, not a weakness however, because sometimes less is more. I can dial in a thick, musical reverb sound in mere seconds using Little Plate.

Mix Tip

The decay knob goes to infinity. Utilize it. Send a sound through Little Plate, preferably a single note or chord — otherwise the sound will get overly dense and dissonant pretty quickly. Use this never-ending reverb tail however you see fit. Automate it, process it, print it, chop it, whatever.

5. Audio Ease Alitverb

If you’re looking for an all-in-one convolution-based reverb solution, it’s hard to argue against Altiverb 7, which is widely used in both music and audio post-production. If you need to make your sounds seem as if they are in halls, rooms, chambers, clubs, stadiums, cars, trains, boats or as if they are being run through plate, spring or digital reverb units, Altiverb comes loaded with impulse responses for these and more.

Mix Tip

Combine impulse responses. Embrace the unnatural. To be honest, it’s somewhat rare that I am trying to establish an entirely natural, believable sense of space when mixing music. You wouldn’t figure that placing a lead vocal in a mausoleum, while placing synthesizers in a stadium and placing a string quartet in a toilet is advisable, but Altiverb allows you to do just that. You’ll never know until you try.

6. Any (or All) Of These Reverbs From UAD: AKG BX 20, Capitol Chambers & AMS RMX16 Expanded

I didn’t want to have virtually every other plugin on this list be one created by Universal Audio, but the truth is you’d be well-served to have all of these emulations of classic spaces/gear in your arsenal of reverberators. Each of these offer authentic reverb sounds that have been heard on countless records through the decades.

Mix Tips

The AKG BX 20 is a spring reverb, similar to the type you’d find within a guitar amp. Try placing an amp simulator plugin in front of the BX 20 in your signal path for an instant re-amped sound. It works great on vocals, percussion and of course, DI guitars.

The Capitol Chambers emulates the classic sound of the spaces beneath the Capitol Tower in Hollywood, and it works splendidly in both vintage and modern contexts. Out of any reverb plugin, I’d have to say that I like using this one in mono the most, as it offers an instant 1960s character.

The AMS RMX16 Expanded was designed by Mark Crabtree. The legendary RMX16 Hardware unit surely isn’t a one-trick pony, as it offers a wide variety of effects (not limited to reverb), including echo, chorus and reverse. While I absolutely recommend using the classic nonlinear sound for an instant 1980s character, don’t deny your productions all of the other great sounds that the RMX16 has to offer.

7. PSP SpringBox

This offering from seriously underrated plugin makers PSPaudioware offers a different flavor than the previously mentioned AKG BX 20 — it’s brighter and more jangly. It also offers a bit more control over sculpting the shape of the reverb tail. As with mostly everything that PSP has released, the user interface is intuitive, and the sound is rich and full of character.

Mix Tip

Try adding compression after SpringBox for a more in-your-face spring reverb sound.

8. BABY Audio Spaced Out

I had a bit of difficulty deciding which plugin roundup Spaced Out should be included with. While it is a reverb, it’s also a delay, a modulator and, truthfully, it’s a musical instrument unto itself. If you simply want a quick to dial-in, inconspicuous-sounding reverb, perhaps you’d be better suited looking elsewhere. But if you’re looking to really craft something unique, memorable and beautiful, Spaced Out offers a lot more than other plugins included in this list. As with all of BABY Audio’s plugins, the GUI is stunning and encourages exploration. The center “space” module controls the plugin’s reverb effect and comes with four unique programs — vacuum, small space, medium space and outer space. It also features controls for pre-delay, “stardust” (which is a gorgeous octave-up shimmer effect), “mellow” (which adds low and high end damping filters), “clean-up” (which feeds an altered signal into the reverb, resulting in a less dense response) and a “width” control. In the middle of the plugin is an X-Y based “joystick” control that allows the user to morph between the reverb length and modulation behavior. As you can tell, this plugin goes deep, so I definitely suggest putting the time in to learn the many different controls.

Mix Tip

Don’t wait until you reach the mix stage to incorporate Spaced Out. My first experience with the plugin was with my guitar plugged directly into Logic, with that signal then sent to an auxiliary track with Spaced Out inserted upon it. The sounds I was achieving were dramatic, ethereal, lush and sometimes unruly. These are the kinds of sounds that you build an entire production around, not generally the kinds of sounds you want to “fit in” to an already fleshed out production. If you simply want to use Spaced Out in a more conservative way as a subtle delay and reverb effect, then by all means go for it, but I personally feel as if this plugin is best utilized expressively during the production stage.

9. Your DAW’s Stock Reverb

As with any other type of processing, don’t feel as if you need to go into debt by buying every third-party reverb plugin available. While you might not be able to obtain the colors and authenticity offered by the aforementioned reverbs, a lot can be accomplished using the plugins that come stock with your DAW of choice.

People like to make fun of Avid’s D-Verb, which comes stock with Pro Tools. But if you’ve got to place an element back in the mix, D-Verb is better than nothing. If you’re just getting into music production and mixing, it’s not a bad idea to learn using the tools you’ve got on hand. If you can make something sound nice and lush using D-Verb, then you can likely do the same with the many better sounding (and functioning) tools currently available.

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Pro Tools also comes loaded with the AIR Creative Collection which includes a standard reverb, spring reverb and non-linear reverb, all of which are quite serviceable and simple to use.

The Reverb plugin in Ableton is actually quite flexible and sounds good, too. It comes with a “Freeze” button, which will freeze the reverb tail as long as the function is activated.

Logic comes with four separate reverb plugins, two of which I use regularly. Space Designer is a handy convolution reverb that features both traditional and wacky impulse responses that can be used to created interesting washed-out textures. I’d argue you can do certain things with Space Designer that you can’t accomplish with any of the aforementioned reverb plugins. Also, Chromaverb is a smooth-sounding, slick-looking reverb plugin that also has a freeze function, as well as both a damping and post EQ, great for sculpting the overall tonality of your tails.

While not all of the aforementioned reverbs are represented in this listening example, check out this tranquil musical cue run through several of my favorite reverb plugins:

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No Reverb

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Valhalla Huge Synth Space Preset

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Valhalla Concert

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Soundtoys Little Plate Long Tail

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FabFilter Pro-R Resonator Preset

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EMT 140

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Capitol Chambers

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AMS RMX16 Nonlinear

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AKG BX 20